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  • 喜剧 
  • 汤姆斯·杰·瑞恩 詹姆斯·乌尔班尼亚克 帕克·波西 
  •   亨利——蓝领工人兼傻瓜,突然遇到了伯乐,一发不可收拾地成为新派诗人……  亨利——蓝领工人兼傻瓜,突然遇到了伯乐,一发不可收拾地成为新派诗人……
  • 喜剧 
  • 伊莎贝尔·于佩尔 马丁·唐文 Elina Löwensohn 
  •   伊莎贝勒(伊莎贝尔·于佩尔 Isabelle Huppert 饰)是一名小说家,实践上,她身边并没有太多的人知道,伊莎贝勒创作的,其实是短篇情色小说。一次偶然中,伊莎贝勒在纽约的街头遇见了名为托马  伊莎贝勒(伊莎贝尔·于佩尔 Isabelle Huppert 饰)是一名小说家,实践上,她身边并没有太多的人知道,伊莎贝勒创作的,其实是短篇情色小说。一次偶然中,伊莎贝勒在纽约的街头遇见了名为托马斯(马丁·唐文 Martin Donovan 饰)的男人,托马斯失掉了曾经的记忆,不知道自己姓甚名谁,也不知道自己要到哪里去。残酷的伊莎贝勒收容了托马斯,并且末尾协助他寻觅记忆。  随着时间的推移,托马斯复杂的过去渐渐浮出水面。他是一名成人电影经纪人,黑色通吃的他经常损招尽出,只为了胁迫年幼的少女拍摄色情片,一次偶然中,他失掉了一张软盘,外面有黑帮立功的证据,正是这张软盘为他引来了杀身之祸。
  • 喜剧 
  • 安德林妮·夏莉 马丁·唐文 Rebecca Nelson John MacKay 埃迪·法可 Gary Sauer 马特·马洛伊 Suzanne Costollos Jeff Howard 凯伦·西拉斯 汤姆·森 汉娜·沙利文 Marko Hunt Kathryn Mederos 比尔·萨奇 Julie Kessler Pamela Stewart 
  •   1991年法国杜维尔电影节观众奖  1991年圣丹斯电影节荧幕特别奖  1991年圣保罗国际电影节观众奖  高中停先生玛利亚通知家人自己怀孕后,父亲倒毙地上,母亲把她踢出家门,男冤家弃她而去。于是  1991年法国杜维尔电影节观众奖  1991年圣丹斯电影节荧幕特别奖  1991年圣保罗国际电影节观众奖  高中停先生玛利亚通知家人自己怀孕后,父亲倒毙地上,母亲把她踢出家门,男冤家弃她而去。于是她孤零零一团体无家可归。此时她遇下马修。他是个修缮电子器械很有天分的高中毕业生,但他有个准绳:质量至上,这使得他每份任务都做不持久。当玛利亚接受了马修的协助,他们便展开一段令彼此发作转变的关系……  When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so Maria is left alone and homeless. This is when she meets Matthew Slaughter. Matthew is an educated high school graduate with a great talent for fixing electronic devices, but he can't hang on to a job because of his principled attitude towards quality. When Maria accepts Matthew's offer to help her, they begin to form a relationship with each other in which both of them begin to change.
  • 爱情 剧情 
  • 罗伯特·约翰·伯克 比尔·萨奇 凯伦·西拉斯 埃琳娜·勒文松 马丁·唐文 Mark Chandler Bailey Chris Cooke Jeffrey Howard 霍莉·玛丽·库姆斯 乔·史蒂文斯 达米安·杨 
  •   一对兄弟长大之后决议寻觅他们失踪多年的父亲,他在六十年代曾经是保守的无政府主义者,因参与布鲁克林的游击队预备向五角大厦丢炸弹而被通缉,因此离家逃亡。两兄弟依据线索找到一间旅馆,在那里投宿等候,不料  一对兄弟长大之后决议寻觅他们失踪多年的父亲,他在六十年代曾经是保守的无政府主义者,因参与布鲁克林的游击队预备向五角大厦丢炸弹而被通缉,因此离家逃亡。两兄弟依据线索找到一间旅馆,在那里投宿等候,不料女老板患有肉体病的前夫出狱回来使状况变得复杂,而一名奥秘的本国女子也设法阻止他们找到父亲。    1992年戛纳电影节提名金棕榈奖  1993年美国独立肉体奖提名最佳女主角
  • 喜剧 恐怖 
  • 萨拉·波莉 海伦·米伦 朱莉·克里斯蒂 罗伯特·约翰·伯克 
  •   "No Such Thing" tells the story of a young journalist who journeys to Iceland to find he  "No Such Thing" tells the story of a young journalist who journeys to Iceland to find her missing fiancée only to encounter a mythical creature. She eventually forges a relationship with the being.
  • 喜剧 
  • 安德林妮·夏莉 罗伯特·约翰·伯克 马特·马洛伊 凯莉·莱卡特 
  •   Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Ha  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.