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  • 喜剧 
  • 马修·布罗德里克 瑞茜·威瑟斯彭 克里斯·克莱因 杰西卡·坎贝尔 马克·哈雷利克 莫莉·哈根 考林·加普 马特·马洛伊 霍尔姆斯·奥斯本 
  •   吉姆·麦考利斯特(马修·布鲁德里克 Matthew Broderick 饰)是卡佛高中的教员,他教学严谨生动,为人随和友善,曾三次取得优秀教员的称号,为广阔先生所喜欢。在他所教授的班级中,有一个名  吉姆·麦考利斯特(马修·布鲁德里克 Matthew Broderick 饰)是卡佛高中的教员,他教学严谨生动,为人随和友善,曾三次取得优秀教员的称号,为广阔先生所喜欢。在他所教授的班级中,有一个名叫翠茜·弗利克(瑞茜·威瑟斯朋 Reese Witherspoon)的女孩 。翠茜高傲自信,力图上进,积极参与校内外的社团活动。她决计满满竞选先生会主席,鲜逢敌手。吉姆出于某些缘由不满翠茜的作为,于是也卷入卡佛高中这场剧烈的选举大战中来……  本片荣获1999年美国演员协会最佳喜剧扮演奖(Lisa Beach);2000年弗罗里达影评人协会最佳剧本奖;2000年独立肉体奖最佳导演、最佳影片、最佳剧本等三项大奖。
  • 喜剧 
  • 安德林妮·夏莉 马丁·唐文 Rebecca Nelson John MacKay 埃迪·法可 Gary Sauer 马特·马洛伊 Suzanne Costollos Jeff Howard 凯伦·西拉斯 汤姆·森 汉娜·沙利文 Marko Hunt Kathryn Mederos 比尔·萨奇 Julie Kessler Pamela Stewart 
  •   1991年法国杜维尔电影节观众奖  1991年圣丹斯电影节荧幕特别奖  1991年圣保罗国际电影节观众奖  高中停先生玛利亚通知家人自己怀孕后,父亲倒毙地上,母亲把她踢出家门,男冤家弃她而去。于是  1991年法国杜维尔电影节观众奖  1991年圣丹斯电影节荧幕特别奖  1991年圣保罗国际电影节观众奖  高中停先生玛利亚通知家人自己怀孕后,父亲倒毙地上,母亲把她踢出家门,男冤家弃她而去。于是她孤零零一团体无家可归。此时她遇下马修。他是个修缮电子器械很有天分的高中毕业生,但他有个准绳:质量至上,这使得他每份任务都做不持久。当玛利亚接受了马修的协助,他们便展开一段令彼此发作转变的关系……  When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so Maria is left alone and homeless. This is when she meets Matthew Slaughter. Matthew is an educated high school graduate with a great talent for fixing electronic devices, but he can't hang on to a job because of his principled attitude towards quality. When Maria accepts Matthew's offer to help her, they begin to form a relationship with each other in which both of them begin to change.
  • 喜剧 
  • 安德林妮·夏莉 罗伯特·约翰·伯克 马特·马洛伊 凯莉·莱卡特 
  •   Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Ha  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
  • 喜剧 
  • 妮可·基德曼 马修·布罗德里克 贝特·米德勒 格伦·克洛斯 克里斯托弗·沃肯 罗杰·巴特 大卫·马歇尔·格兰特 乔恩·拉威茨 迪伦·哈蒂根 Fallon Brooking 菲丝·希尔 马特·马洛伊 凯特·希德尔 Tom Riis Farrell 罗丽·巴格莱 拉里·金 
  •   当从曼哈顿搬到高尚住宅区斯戴佛之后,乔安娜(妮可•基德曼 饰)与丈夫(马修•布罗德里克 饰)都预备好了重生活的末尾。乔安娜本想打好与邻居之间的关系,可是一众邻居太太的性情都将近完美,让乔安娜感到她  当从曼哈顿搬到高尚住宅区斯戴佛之后,乔安娜(妮可•基德曼 饰)与丈夫(马修•布罗德里克 饰)都预备好了重生活的末尾。乔安娜本想打好与邻居之间的关系,可是一众邻居太太的性情都将近完美,让乔安娜感到她们都无法接近。这群有钱的太太中只要一名叫芭比的太太例外,她是乔安娜眼中的正常人,她俩也成为了好友。  其他太太们每天都忙着照顾自己的丈夫,对丈夫言听计从。乔安娜与芭比都感到十分猎奇,为何邻居太太们似乎没有自己的脾气与喜好。  于是她们决议一查终究,调查结果让她们惊讶不已,有钱的男人居然把自己的太太变成了机器人,以求他们的妻子都千依百顺。这些一半人类一半机器的太太们面前有着“地下的秘密”,这样的黑手,也逐渐伸向乔安娜与芭比,她们将如何应对呢?