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- 类型：喜剧
- 主演：安德林妮·夏莉 马丁·唐文 Rebecca Nelson John MacKay 埃迪·法可 Gary Sauer 马特·马洛伊 Suzanne Costollos Jeff Howard 凯伦·西拉斯 汤姆·森 汉娜·沙利文 Marko Hunt Kathryn Mederos 比尔·萨奇 Julie Kessler Pamela Stewart
- 时长：
- 详细介绍： 1991年法国杜维尔电影节观众奖 1991年圣丹斯电影节荧幕特别奖 1991年圣保罗国际电影节观众奖 高中停先生玛利亚通知家人自己怀孕后，父亲倒毙地上，母亲把她踢出家门，男冤家弃她而去。于是 1991年法国杜维尔电影节观众奖 1991年圣丹斯电影节荧幕特别奖 1991年圣保罗国际电影节观众奖 高中停先生玛利亚通知家人自己怀孕后，父亲倒毙地上，母亲把她踢出家门，男冤家弃她而去。于是她孤零零一团体无家可归。此时她遇下马修。他是个修缮电子器械很有天分的高中毕业生，但他有个准绳：质量至上，这使得他每份任务都做不持久。当玛利亚接受了马修的协助，他们便展开一段令彼此发作转变的关系…… When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so Maria is left alone and homeless. This is when she meets Matthew Slaughter. Matthew is an educated high school graduate with a great talent for fixing electronic devices, but he can't hang on to a job because of his principled attitude towards quality. When Maria accepts Matthew's offer to help her, they begin to form a relationship with each other in which both of them begin to change.详情
- 类型：喜剧
- 主演：安德林妮·夏莉 罗伯特·约翰·伯克 马特·马洛伊 凯莉·莱卡特
- 时长：
- 详细介绍： Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Ha Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.详情