小看怡情,久看伤眼,保护视力,常来看看,记得收藏!

搜索关键词

  • 恐怖 爱情 
  • Thorkild Roose Lisbeth Movin Preben Lerdorff Rye Sigrid Neiiendam 
  •   故事发作在1632年的丹麦,一个地处偏远的小镇中正在停止一场严酷的处刑,一个年轻的女人由于被指控为巫女,而面临着被活活烧死的凄惨命运。临死前,愤怒的老人设下了诅咒,关于担任行刑的牧师来说,罪恶的诅  故事发作在1632年的丹麦,一个地处偏远的小镇中正在停止一场严酷的处刑,一个年轻的女人由于被指控为巫女,而面临着被活活烧死的凄惨命运。临死前,愤怒的老人设下了诅咒,关于担任行刑的牧师来说,罪恶的诅咒是无法损伤代表了正义的他的,可关于牧师的妻子安妮(Lisbeth Movin 饰)来说,眼前所发作的一切令她永生难忘。  自此之后,安妮似乎变了一团体似的浑浑噩噩。安妮和牧师的婚姻里并没有爱情,牧师英俊的儿子却吸引了安妮的留意,随着时间的开展,两人之间的关系越来越近,最终越过了伦理品德的界限。牧师死了,牧师的母亲愤怒地指控,是安妮的“巫术”害死了自己儿子。依照惯例,安妮被绑上了火刑架,这素昧平生的命运让安妮猛然醒悟,诅咒,也许真的存在。
  • 剧情 
  • Adele Reuter-Eichberg 弗拉基米尔·盖达罗夫 Polina Piekowskaja 
  •   Russie, 1905. Lasse de l'atmosphère antisémite de son village natal, la jeune Hanne Segal part  Russie, 1905. Lasse de l'atmosphère antisémite de son village natal, la jeune Hanne Segal part à Saint-Pétersbourg rejoindre son frère Jacob qui, converti au christianisme, est devenu un riche avocat. Elle y retrouve aussi son ancien ami Sacha, entré dans un groupe révolutionnaire...
  • 剧情 
  • Ib Koch-Olsen 
  •   The history of Danish country church architecture is told by showing scenes of how the church was  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
  • 剧情 
  • 玛利亚·法奥康涅蒂 安托南·阿尔托 安德烈·贝利 
  •   影片聚焦法国民族女英雄圣女贞德(玛利亚·法奥康涅蒂 Maria Falconetti饰)生命的最后时辰,再现了她被出卖落入勃艮第叛军手中后,在英格兰监狱和法庭上,从受审四处死的全进程。被英格兰当局  影片聚焦法国民族女英雄圣女贞德(玛利亚·法奥康涅蒂 Maria Falconetti饰)生命的最后时辰,再现了她被出卖落入勃艮第叛军手中后,在英格兰监狱和法庭上,从受审四处死的全进程。被英格兰当局严密控制的天主教会,指控贞德为异端和女巫。法庭上,法官更伪造证据,以信仰效果不时对她施以肉体上和肉体上的折磨。面对仁至义尽的酷刑与子虚乌有的诬害,贞德不屈不挠、奴颜婢膝。最后,贞德被押赴鲁昂市广场,被绑在火刑柱上活活烧死。  由一代电影巨匠卡尔·西奥多·德莱叶执导拍摄的影片《圣女贞德蒙难记》,被称为世界十大最佳影片之一。影片以极具震撼力的艺术表现手法,再现了这段遭到天主教会和英国占领军折磨的民族英雄持久生命中的最后时辰。
  • 剧情 
  • 沃尔特·斯勒扎克 马克斯·奥青格尔 诺拉·格雷戈尔 
  •   英俊青年麦克尔(Walter Slezak 饰)是画家苏莱特的专属模特,以麦克尔为原型,苏莱特创作出了精巧的艺术作品,名声大噪,登门求画的人纷至沓来,但苏莱特为了保管和麦克尔的美妙回想拒绝出卖杰作  英俊青年麦克尔(Walter Slezak 饰)是画家苏莱特的专属模特,以麦克尔为原型,苏莱特创作出了精巧的艺术作品,名声大噪,登门求画的人纷至沓来,但苏莱特为了保管和麦克尔的美妙回想拒绝出卖杰作。年轻貌美的女伯爵访问苏莱特,央求后者为自己画像,麦克尔默默注视着女伯爵,四目交投之下,心意暗生,苏莱特思量之后决议为女伯爵作画,但创作不久因苏莱特无法描画女伯爵的眼睛而堕入停滞,麦克尔提笔代劳,女伯爵美丽的神色跃然画上……麦克尔与女伯爵相爱并逐渐离苏莱特而去,苏莱特接受着年青人的诈骗和背叛,将内心的悲苦呈如今画作上,受孤独煎熬的生命之火渐渐熄灭……  本片依据赫曼·邦的同名小说改编,是电影史上最早触及异性恋题材的作品之一。
  • 喜剧 剧情 
  • Greta Almroth Einar Röd Hildur Carlberg Olav Aukrust Emil Helsengreen 玛蒂尔德·尼尔森 Lorentz Thyholt Kurt Welin 
  •   卡尔·西奥多·德莱叶这部喜剧引出心灵流变的轨迹,并在喜剧方式表现中要求夸张的转机与扮演方式。他的复杂主义从《总统》的办公室末尾到玛格丽特夫人的屋舍,更趋向朴质。而对容貌的描写这里也有了末尾。影片中  卡尔·西奥多·德莱叶这部喜剧引出心灵流变的轨迹,并在喜剧方式表现中要求夸张的转机与扮演方式。他的复杂主义从《总统》的办公室末尾到玛格丽特夫人的屋舍,更趋向朴质。而对容貌的描写这里也有了末尾。影片中的骗徒,终究抵抗不了良知的指摘以及虚伪婚姻阻隔与女友之间的真情。但幽默的是,被骗的老妇却早已发觉他的不怀好意但又绝非恶徒。反而是外力最后促使内在的圆满。