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瑞士华庭
为全人类第四季
锅炉工
  • 剧情 
  • 米哈伊尔·斯卡列宾 尤里·马特维也夫 亚历山大·莫辛 艾达·图穆托娃 安娜·科罗塔耶娃 瓦瓦拉·贝洛库罗娃 Roman Burenkov 菲利普·德亚奇科夫 Aleksandr Garkushenko Kirill Komlev Irina Kurtiyakov Igor Matyushkin Yuliya Men Sayan Mongush Viktoriya Mongush 
  • 　　苏联解体后那个“疯狂的九十年代”，在俄罗斯南方一座工业城市。主人公伊万是一名雅库特人（少数族裔），由于20多年前那场不光荣的茹侵阿富汗战争留下了脑震荡，如今是一家锅炉房里的工人。一位外地的黑道大佬　　苏联解体后那个“疯狂的九十年代”，在俄罗斯南方一座工业城市。主人公伊万是一名雅库特人（少数族裔），由于20多年前那场不光荣的茹侵阿富汗战争留下了脑震荡，如今是一家锅炉房里的工人。一位外地的黑道大佬是伊万从前的战友，经常应用锅炉房来毁尸灭迹，“没关系，他们都是一些坏人”，如此，他抚慰伊万说。但直到有一天，当Skryabin的女儿因抢走了这位冤家女儿的男友而被送进锅炉时，伊万才末尾醒悟。战争并没有完毕。　　影片是一部极端严酷的暴力事实主义作品，可谓延续了阿历克塞·巴拉巴诺夫一向大胆黑色的作风。他执导的《兄弟》、《畸零与色情》等片让主流媒体难以接受，克里姆林宫最喜欢的导演Nikita Mikhalkov（《毒太阳》）也曾出面攻击称《兄弟》的主人公“充溢破坏欲”，“荼毒青少年的思想”。不过在2010年底俄国影评人们颁出的“白象”奖中，《火炉工》摘得了最佳影片、最佳导演在内四项大奖，成为最大赢家。
杀掉那个魔术师
永恒之路
  • 剧情 
  • 西瑟·巴比特·科努德森 Sidse Babett Knudsen 伊丽娜·别尔克伦德 Irina Björklund 韦勒·维坦恩 Ville Virtanen Amalia Holm 汤米·柯贝拉 Tommi Korpela 
  • 　　以真实事情为基础，讲述一团体为生活而妥协的史诗故事。居希·凯特拉，在美国大萧条时期回到芬兰，美国方面政治动乱日益严重。1930年的一个夏天早晨，民族主义暴徒绑架了他，他自愿走上永久之路，去了苏联，　　以真实事情为基础，讲述一团体为生活而妥协的史诗故事。居希·凯特拉，在美国大萧条时期回到芬兰，美国方面政治动乱日益严重。1930年的一个夏天早晨，民族主义暴徒绑架了他，他自愿走上永久之路，去了苏联，在那里严酷似乎永无终结，他独一的梦想是回到他芬兰的家中，但是苏联也并非工人阶级的乐园……
为单身汉设下的陷阱
敲2022
天鹅湖
  • 剧情 
  • Uliana Lopatkina Danila Korsuntev Irina Golub 
  • 　　奥杰塔（Uliana Lopatkina 饰）是一位美丽的公主，一场不测中，她不幸的被罪恶的魔王罗特巴尔特变成了一只天鹅。王子齐格弗里德在成人仪式中看到了变成天鹅的奥杰塔，于是跟随着她的身影离开了　　奥杰塔（Uliana Lopatkina 饰）是一位美丽的公主，一场不测中，她不幸的被罪恶的魔王罗特巴尔特变成了一只天鹅。王子齐格弗里德在成人仪式中看到了变成天鹅的奥杰塔，于是跟随着她的身影离开了湖畔，奥杰塔以天鹅的姿态默默向王子倾吐着自己的哀怨，王子深深的爱上了奥杰塔，他决议要用自己真爱的力气令奥杰塔变回人形。　　齐格弗里德的生日宴会上，罗特巴特带着自己的女儿奥吉莉娅前往庆贺，奥吉莉娅有着和奥杰塔如出一辙的样貌，鬼迷心窍的齐格弗里德和奥吉莉娅订下了婚约。很快，王子就知道自己中了恶魔的阴谋，他找到了奥杰塔，央求后者的原谅。
魔鬼的陷阱
  • 剧情 
  • Vítezslav Vejrazka 米罗斯拉夫·马哈切克 Cestmír Randa Vít Olmer Karla Chadimová Vlastimil Hasek Frantisek Kovárík 雅罗斯拉夫·毛奇卡 约瑟夫·赫利诺马兹 贝德里奇·卡兰 Jirí Belohoubek Jirina Bílá Monika Indingerová Ladislav Kazda Milan Kindl 伊里·弗斯塔拉 
  • 　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of t　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
西伯利亚和他


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